To the broken and brokenhearted

Photo by Shane Rounce on Unsplash

For various, mostly mistaken reasons, I shut a lot of people I love out of my life. I thought that while I was away, they wouldn't think about me. Out of sight, out of mind—you know how that goes.

Thing is, they never left my mind.

It wasn't until after I got back in touch with them that I realized I never left theirs. They were worried, watching from afar, trying to help, but not knowing how.

Sarah, Keni, Pao, Royer, Liliana, Zaydunga, Nora, Manolo: gracias por ayudarme a recobrar partes de mi corazon que hasta poco pensé estaban perdidas.

Is there no journalistic integrity anymore?

No, not that much, kinda proportionately not ever, but especially less now with the younger crowd.

Like many women, I've been following stories in the media exposing abuses against women. The most harrowing accounts are about women abusing other women—sometimes girls—such as Jeffery Epstein's "madam" Ghislaine Maxwell procuring their victims, many of them, tragically, underage.

Today I came across a female journalist who had a choice while publishing a story: she could protect the victim and her privacy, or she could out her against her will, exposing the victim to further trauma in a societal context.

The reporter subjugated the victim's privacy in the name of "serving the truth and her readers."

Just when you hope a female journalist will protect a victim—a fellow woman—it all implodes.

I'm beyond disappointed, but hardly surprised. This happens every day.

A journalist's job is to sell a story. I get it. It is their way of life, and I respect that.

I have no respect for journalists who are willing to throw their sources under the bus just to sell a story—especially the sources and victims they seemingly attempt to protect.

No journalistic integrity there.

None whatsoever.

Want not want

Photo by Parag Sharma on Unsplash

Photo by Parag Sharma on Unsplash

Fantasies have to be unrealistic because the moment, the second that you get what you seek, you don’t, you can’t want it anymore. In order to continue to exist, desire must have its objects perpetually absent. It’s not the ‘it’ that you want, it’s the fantasy of ‘it.’ So, desire supports crazy fantasies. This is what Pascal means when he says that we are only truly happy when daydreaming about future happiness. Or why we say ‘the hunt is sweeter than the kill.’ Or ‘be careful what you wish for.’ Not because you’ll get it, but because you’re doomed not to want it once you do. So the lesson of Lacan is, living by your wants will never make you happy. What it means to be fully human is to strive to live by ideas and ideals, and not to measure your life by what you’ve attained in terms of your desires but those small moments of integrity, compassion, rationality, even self-sacrifice. Because in the end, the only way that we can measure the significance of our own lives is by valuing the lives of others.
— from the film "The Life of David Gale"

The mirror

A number of years ago, I had one of the most profound experiences driving down the interstate. It was well into the fall in upstate New York, the leaves ablaze with crimsons and oranges against a pale, grey sky. Through the clouds off in the distance broke the most beautiful sunset I’d ever beheld—it completely robbed me of breath. Every part of me was consumed by this delicate explosion of color—I couldn’t understand, I couldn’t even imagine how something so exquisite could ever exist.

But it did, and I was there bearing witness to it. Then, in the quiet, intruded the subtlest recognition: It wasn’t the “sunset” I was seeing.

Faster than awareness itself, I shut down: batten down the hatches! It pained me, terrified me to acknowledge the source of this indescribable experience.

I’ve spoken about this time and time again, as if attempting to keep the experience alive but always at a safe distance. Today, that safety was broken.

I was out for a walk in the early evening, and found myself staring off into another sunset. It was, again, beautiful. Moments before losing myself in the experience, the same memory rushed in. A tender vulnerability marked a palpable threshold I realized I could choose to cross.

I can’t recall the exact decisions I made, but I finally surrendered: There, the sunset serving as a backdrop, a gracious mirror against which I could briefly glimpse the vastness of the universe within. There, with the gift of the physical world and this physical existence, I found my place in earnest gratitude. There, magnificent.

Photo by Steven Feldman on Unsplash

As long as we accept we can choose

For as long as I remember, I've been afraid to love—to love in the purest sense.

There are these lines from Lord Tennyson's poem, In Memoriam A.H.H.

I hold it true, whate'er befall;

I feel it when I sorrow most;

'Tis better to have loved and lost

Than never to have loved at all.

I’ve been an ardent advocate of the opposition, especially as I’ve grown older. Yet throughout my life, through the good choices and the terrible ones, this is true: it is the very thing I’m drawn to—a moth circling an ever-burning flame.

We cannot know love without loss. The profound pain of loss and the nature of love itself—immense, vast beyond comprehension, infinite—is deceptively terrifying. I say “deceptively” because I’ve glimpsed it and survived.

This video, When I Die: Lessons from the Death Zone, was deeply moving to me. If you’re also on a quest to overcome the fear to love, I hope this inspires you too.

I hope

Photo by Liam Macleod on Unsplash

Photo by Liam Macleod on Unsplash

I find I'm so excited, I can barely sit still or hold a thought in my head. I think it's the excitement only a free man can feel, a free man at the start of a long journey whose conclusion is uncertain. I hope I can make it across the border. I hope to see my friend and shake his hand. I hope the Pacific is as blue as it has been in my dreams. I hope.

– Red (narrating), The Shawshank Redemption

1,000 frames per second

Speaking of setting the heart aflame, I've been away: I was preparing for a performance that took place this weekend—it went beautifully. I enjoyed myself tremendously and so did my students. I met a lot of great people, and received the highest compliment on my choreography from one of the professional dancers I most admire.

Something very deep within me ignited again. It's the kind of thing that keeps you up at night, and in those short instances where you do fall asleep, it seeps into your dreams. There's no remedy but to succumb to the music playing quietly inside, like a soft, unrelenting echo, and, in the middle of the night, externalize its voice with a song that fits just right, then move to it until it the body can do no more.

This video is lovely—movement at 1,000 frames per second. I thought I'd share it here while I finish the piece I've been working on.